MiniseriesBy Wikipedia
The "miniseries" format dates back to at least a 1966 ABC
broadcast of an adaptation of The Rise and Fall of the Third Reich,
produced by David L. Wolper.
The term became well-established in the mid 1970s, particularly with
the success of Rich Man,
Poor Man in 1976. Alex Haley's Roots in
1977 can fairly be called the first blockbuster success of the format. Its
success in the USA was due to its schedule: the twelve hours were split
into eight episodes broadcast on consecutive nights, resulting in a finale
with a 71 percent share of the audience and 130 million viewers. TV Guide
(April 11-17, 1987) called Jesus
of Nazareth "the best miniseries of all time" and
"unparalleled television."
Miniseries covered on our sites: Autobiography
of Jane Pittman, Around
the World in 80 Days, Blue
and Gray, Centennial, Chiefs,
Helter Skelter, Holocaust,
Jesus of Nazareth, Lonesome
Dove, Martian
Chronicles, Masada,
North
and South, Pearl,
QB VII, Rich
Man, Poor Man (and Book
2), Roots, The
Scarlet Letter, Shaka
Zulu, Shogun,
The
Thorn Birds, V,
War
and Remembrance, and The
Winds of War.
In British television, the term 'miniseries' is almost never used,
except in reference to American imports. The term serial is preferred for
short-run British television drama, which has been
a staple of UK schedules since the early 1950s when serials such as The
Quatermass Experiment (1953) established the popularity of the form. The
series The Prisoner was originally pitched by Patrick McGoohan for 9
episodes, and expanded to 17 due to studio concerns that such a short
series would be difficult to sell. |